Lighting…. This is something that can take weeks, months or even years to perfect. I honestly don’t have all the knowledge in the world about it but ask any photographer, if you look like you know what your doing that is half the battle. Taking the correct exposure with that lighting is the other.

To get a better understanding of lighting, you need to know the types of lighting that work well in studio settings. Now you’re starting to think…. “I don’t have hundreds or thousands of dollars to invest into the studio lights.” Well you can start with the two light sources the man upstairs gave us. Light from the sun (direct) and any light reflected off of everything else (bounce or aka fill light). This is where things get interesting. If light didn’t reflect, we would not be able to see anything and photography would not exist!

Now I am going to give you the magic rule that I was taught. “3 Lights = Professional lighting.” You can light any object or person professionally by having 3 lights present. One bounce, two main. Two bounce, one main… etc. Catch the trend here? The direct lighting can be anything that is emitting light. A lamp, flashlight or the big ball of burning gas in the sky we call the sun works very well. The positioning of those lights is what makes the subject stand out. Knowing the basics will help you to jump-start your photography. So I am going to talk about short lighting, broad lighting, split lighting, rembrandt lighting and butterfly lighting. I’ve included examples to show what I mean.

SHORT LIGHTING is where one side of the subject is directly lit. The other side is bounced. This creates a skating light across the face with a subtle bounce on the other side to show the shape of the face. Adds a dramatic feel to the picture too. TIP: Best when shooting larger people, the skating light visually thins the person out. (Not saying this subject is fat, but you can see I used the sun through the blinds to create this effect.)

BROAD LIGHTING, this is the exact opposite of short. This is adding as much light to the front of the subject as possible. Not really suitable for portrait work, tends to make people look chubby or heavier than they really are. It creates a softer feel, it all just depends on what you are trying to achieve with your works. Also placing the bounce cards behind your subject, at a 45 degree angle out of frame, to make sure light surrounds them. (Tends to create a white wash and dreamy effect illustrated here)

SPLIT LIGHTING, it looks like its name. You are splitting the subject in half with the lights. Your direct light should make a drastic line down your subject, “Splitting” them in half. This one you don’t need the 3 lights, just one direct. TIP: Works amazing with older people and black and white photos. (See the detail in the hand and skull? Very dramatic!)

REMBRANDT LIGHTING is the classic artistic lighting of portrait work. The direct light is placed at a high 45 degree angle directly in front of the subject. The bounce cards are used to illuminate the shadows (these can be placed anywhere around the subject). The trick here is to not get rid of the shadows, but to highlight them… if that makes any sense at all. This created a diffused look to the subject lighting, accenting the shadows.

BUTTERFLY LIGHTING is the flooding of light. Used a lot with extreme close-ups. This washes out a lot of detail but creates a 12 o’clock shadow on the chin and nose. By placing the lights at a higher 45 degree angle with bounce cards under gives this flooding of light. Normally called “under, over lighting.” TIP: great for glamor shots, people with beautiful color eyes and strong facial features (oval or square chin).

Here’s the last tip:  If you see a photograph that you like and want to copy. Look at the highlights in the eyes or the shiny surfaces. This will tell you where they have the lighting on the subject. Eyes never lie! Mastering the basics is what you need to do next. You can’t build a house without a foundation, right? So play around, experiment with the styles. Remember, they aren’t rules. They are just guidelines, you’re the artist! Play! Keep shooting all… Enjoy!

Sincerely Ryan E Hulse

This is going to be something of a psychology lesson, more than a photo lesson but the two go together very well. When in college, I took a psychology course that changed how I take pictures. Let me explain how this makes sense.

One day the class got into a discussion on emotional stressors. I was really curious about this and asked for more information on it after class. After class, my professor pulled out a bunch of flash cards and showed me each one for 2 seconds. I had to write down the first thing I saw, how I scanned it with my eyes and how I felt after looking at each card. After taking the test, she explained to me each card and what they meant. She said, “that there is no right or wrong answer to any of the cards, its just human emotion and instinct.” Then looking at the cards individually after, for a longer period of time, I noticed that there were things on the cards that I missed the first time seeing them and there is a lot more to each card then just black and white dots.

Now, how does this make a connection to photography? Out of that test I remember two cards that changed everything for me. I recreated them for you below. Time for you to take the test, look at them for 2 seconds each write down what the first thing you saw, how you scanned the card with your eyes and how you felt. Okay… READY GO!

Card #1

Card #2

Are done with that?… what were your results? Remember there is no right or wrong answer here. You can post your answers below. Now, to explain what each of these cards mean to photography.

In the first card, the heavy contrast in colors dictated what you saw first. Then scanning the card was tough because your eyes kept on going back to the first sight marked by your brain. Going back and forth probably made you feel uneasy, confused and/or frustrated. Why? I can’t tell you why… I didn’t study psychology in school. But, what you can get from this is that photographing a subject with high contrast and two separate visual points to create visual tension and trigger emotions. What I am trying to get here is that this card tells your mind what it needs to go to first. You can do this by making your subject the main focus by color, position and size. Also did you notice that the two dots are two different sizes?

The second card is different than the first, but this card is what I was trying to explain in my last lesson by how you scan the image and again dictate what you looked at first. Mostly all of you would notice that the dot in the top left corner is grey. How you scanned that image determines your emotion, each person is different so I can’t tell you exactly what you are going to feel. But, I can tell you that most of you started with the grey dot, moved to the bottom right, over to the bottom left then to the top right. This is the “natural scanning” movements of the eye. Now try to scan the dots different ways and see how you feel, it makes you feel different emotionally each way doesn’t it? So to make your photographs comfortable to viewers, keep this in mind. This is what I tried to do with the photo in Lesson 3. I’ve included it here so you can see what I mean. Most of you however, did not see the square in the top right corner.

This lesson is more about sight and emotion. The human mind is an interesting subject and digging into this more from a medical/psychological standpoint I would confuse you all. But, using this bit of information to my advantage in my photographs I am able to control, most of the time, what and how I want you to see my subjects. Who says a liberal arts education cannot help you with your profession?! Keep shooting all!

Here is a fun video on line of sight, make sure you pay attention!

Sincerely Ryan E Hulse

Before I start I want you to look at the photograph that I’ve included here. I want you to note on a piece of paper what was the first thing you looked at in this picture, what was the next point your eye moved to, etc… then I want you to draw a line (almost like connect the dots) to map out how you looked at this photograph…. Keep this aside… I will explain more later on.

Composition is what can make any subject look AMAZING! Composition is the strategic placement of your subject(s) in your photographs. This means by adjusting the amount of negative space (absence of subject) and positive space (filling the frame with subject). Composition in your photographs is very important to understand. Why, because it helps create movement within your pictures. (now getting into why I asked you to draw the lines before). The boring, straight on snapshot photos with the subject in the center, level negative and positive spacing  and even shooting angles (from lesson #2) just makes it “blahh”. You say, “ehh that’s a good picture.” To make your photos stand out event more use this helpful guide called “the rule of thirds.” This will make the people say, “Wow, that’s a GREAT photograph.”

The rule of thirds is a way to equally divide your photos by 2 lines vertically and horizontally to create an invisible grid creating 9 boxes dividing the picture into thirds, hence the name.  This will help you adjust your subject in the photos properly. I have illustrated this in the picture to the right. Not only does this work for photography, it works in graphic design too. Balancing out your main points in the layouts helps in the delivery of your work. Now look at your line of sight in this photograph… does it match the line I drew for you here?

Mostly all of you looked at the moon first, went to the lights on the church front, over to the trees to the right and then back up to the top of the steeple. If you didn’t, I am curious to see what you saw first… comment below. By me having an understanding of the rule of thirds I am able to dictate movement of your eyes in this photograph by placing my subject(s) in the frame according to what I want you to see, think or feel. The whitest/brightest part of a dark image is going to the first thing your eye is attracted to… this is human nature, much like the blonde haired, blue eyed girl in the red dress at a party is the first girl that is noticed by everyone at the party. There is a reason why men go for this girl, all bright colors in a dark environment.

Another example of composition is in the video below. The strength in this message is increased because of the composition of the pups in the frame. If you watched the video without sound, you still will feel emotionally attached to the subjects without hearing the message. P.S. Adopt a dog!

To sum this all up…. Think of the rule of thirds when taking a picture. Know your subject and look at the background. Keep in mind the sight lines that you create. In the  next lesson I will dig deeper into the sight lines to help you understand that more. You can dictate how people look and feel about your photograph by understanding composition. Any comments or question add them below. Keep shooting all!

Sincerely Ryan E Hulse